T.M. Krishna's Book Delves Into A Brief History of Mrndangam Makers

Published by Westland Publication, 'Sebastian and Sons' by T.M. Krishna was recently launched at NCPA by Tata Literature Live festival director Anil Dharker.

T.M. Krishna's Book Delves Into A Brief History of Mrndangam Makers

Author T.M. Krishna recently launched his book 'Sebastian and Sons: A Brief History of Mrndangam Makers' at Tata Literature Live in NCPA. Published by Westland Publication, the book was unveiled by the director of Tata Literature Festival Anil Dhaker. 

The mrdangam is an integral part of the Karnatik stage, its primary percussion instrument. Yet—startling as this is— the instrument as we know it is only a century old. T.M. Krishna investigates the history of the mrdangam and meets the invisible keepers of a tradition: the mrdangam makers.

The making process is an intellectually, aesthetically and physically taxing one. From acquiring the skins for the circular membranes and straps to the wood for the drum, from curing the material to the final construction and at the end of it all, making sure that it has the tone that the mrdangam player wants, mrdangam-making is also a highly nuanced operation at every stage.

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While several artists have been credited with the evolution of the instrument, including the stalwart Palghat Mani Iyer, none of them had knowledge of a fundamental aspect of the making: hide. The quality of the hide and how it is cured, cut, stretched, bound and braided impacts the tone, timbre and sound of the instrument. This requires a highly tuned ear and an ability to translate abstract ideas expressed by musicians into the corporeal reality of a mrdangam. Yet, their contribution to the art of the mrdangam is dismissed as labour and repair—when it is spoken of at all.

There are legendary mrdangam players, yes; there are also distinguished mrdangam makers, many of them from Dalit Christian communities, who remain on the fringes of the Karnatik community. Sebastian and Sons explore the world of these artists, their history, lore and lived experience to arrive at a more organic and holistic understanding of the music that the mrdangam makes.

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Author Thodur Madabusi Krishna is a vocalist in the Karnatik tradition. Krishna is also a prominent public intellectual, writing and speaking on issues of structural inequality and culture. He has been part of inspiring collaborations, such as Chennai Poromboke Paadal, performances with the Jogappas who are traditional transgender musicians, the Karnatik Kattaikuttu that brought together art forms from two ends of the social spectrum, and an enduring poetic partnership with Tamil writer Perumal Murugan.

T. M. Krishna is the author of A Southern Music: The Karnatik Story, which won the 2014 Tata Literature Award for the best first book and Reshaping Art. He also co-authored Voices Within: Carnatic Music— Passing on an Inheritance.

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